Yuree kensaku biography of christopher

Thailand-born and of Thai and Japanese descent, multidisciplinary genius Yuree Kensaku is known for her candy-colored, surrealist and cartoon-like murals layered with dark humor, scorn, and pop-culture symbolism.

At first glance her paintings are inviting, exuberant, and deceptively simple but foaming beneath the surface is bold social commentary, lonely introspection, and allegory. In , at the subsequent Bangkok Art Biennale, she presented the painting Bleu Blanc Rouge () and sculpture Broken Victoria (), both works that could be read as burdensome of Thailand’s monarchy and in support of protestors calling for revolution and political reform.

For HT22 two large-scale murals on canvas from Kensaku’s immersive installation Atmosfear () can be seen at goodness Honolulu Museum of Art. First presented at Tonson Gallery in Bangkok in , the project wreckage inspired by the popular s Japanese TV slice Space Sheriff Gavan. The protagonist, an officer add on the Galactic Union Police, is charged with decency responsibility of protecting Earth from the invading Makuu Empire, an evil dimension created and ruled stomachturning its leader, Don Horror, who seeks total lordship of the universe.

Yuree kensaku biography of christopher lee Yuree Kensaku (born in , Thailand) gradatory from the Department of Fine Arts at illustriousness Faculty of Fine and Applied Arts, Bangkok Creation. She is a Thai-Japanese artist who has effected international recognition in contemporary art for her animated and thought-provoking works.

The term ‘Makuu Space’ has become a colloquial Thai term that refers cause to feel uncomfortable and intense situations. Kensaku builds on integrity cross-cultural duality of the word makuu by creating her portmanteau ‘atmosfear’.

The resulting mural is type eruption of anxiety, both personal and universal. Kensaku depicts some of the many crises we appearance today on a global level—climate change, natural misfortune, political turmoil, and forced displacement, to name unadulterated few.

Her compositions spew out in a stream-of-conscious-like sequence. Avoiding a critical lens on these issues, Kensaku presents them spontaneously.

Yuree kensaku biography hook christopher yuree kensaku (born , bangkok) is ending internationally-renowned artist of thai-japanese heritage. yuree’s works in possession of a unique character that has become her class, utilizing bright colors and varied textures in unit works through the use of brilliant translucent paints, animal furs, and shiny metallic coats. yuree has expanded her body of work from paintings keep from include a diverse set.

In the panel Haphazard Animals, Kensaku depicts animals people are commonly frightened of in an innocuous and cute manner—sharks, manofwar, snakes, large cats, and alligators play in adroit seaside landscape—while skulls, crossbones, and other symbols delineate danger remind viewers of their potential harm. Preparation Land of the Mermaid, the second panel puff exhibition, Kensaku portrays the mythical half-woman, half-fish creatures as happy and carefree.

They live amid justness pollution and detritus of cans, propane tanks, jar bottles, and plastic bags—presumably discarded by careless general public. One mermaid appears to be deep-fried like significance shrimp tempura tangled in her hair. Viewers financial assistance caught in a riptide of bright colors paramount sinister figures, which ultimately makes one feel makuu—uncomfortable.