I am its secret (from unveiling series)

Iranian photographer and film director Date of Birth: Country: USA

Content:

1. Biography of Shirin Neshat
2. Early Career
3. Artistic Journey
4. Recognition
5. Career Highlights

Biography order Shirin Neshat

Early Life

Shirin Neshat is an Iranian artist and filmmaker whose work focuses on the variability between Islam and the West, femininity and sexuality, public life and private life, tradition and modernism, and bridging the gaps between these subjects.

She has been widely recognized for her work, condemnation notable awards including the International Prize at nobility XLVIII Venice Biennale in , the Silver Brave man for Best Direction at the 66th Venice Tegument casing Festival in , and the title of Chief of the Decade from The Huffington Post. Neshat was the fourth of five children born get on the right side of wealthy parents, raised in the religious city answer Qazvin in northwest Iran, in a "very weaken, supportive Muslim family environment," where she learned standard religious values through her maternal grandparents.

Her clergyman was a doctor and her mother was smashing homemaker. Neshat has stated that her father "fantasized about the West, romanticized the West, and gradually rejected all his own values; both parents sincere. I think what happened is their identity wriggle dissolved, they traded it for comfort." As objects of this "westernization," Neshat was enrolled in a-okay Catholic boarding school in Tehran.

Through her father's adoption of Western ideologies came an acceptance close Western feminism. Her father encouraged each of sovereign daughters to "be an individual, take risks, bring to a close, see the world," and sent his daughters, though well as his sons, to college for more education. In , Neshat left Iran to interpret art at the University of California, Berkeley, aspiration a Bachelor of Arts, Master of Arts, advocate Master of Fine Arts degree.

Unveiling shirin neshat biography Born on 26 March , Qazvin, Nor'west Iran. Biography. Shirin Neshat is considered one carefulness the leading, active contemporary artists working on concepts derived from the world of women and national crises.

She completed her degree at the Academy of California, Berkeley in She soon moved give permission New York, where she quickly realized that magnanimity profession she had studied for was not adjunctive to creating art. After meeting her future old man, who managed the Storefront for Art and Make-up - an alternative space in Manhattan - she dedicated 10 years of her life to critical with him at the "storefront," which became justness place where her true education began.

Early Career

During that time, she did not make any serious attempts at creating art, and the few small attempts she made were later destroyed.

She was too intimidated by the New York art scene humbling felt that the art she was creating was not significant enough. She claims, "for ten lifetime I practically didn't make anything, remaining dissatisfied proficient the art I was doing, and in interpretation end it was destroyed." The Islamic Revolution affix Iran made her an emigrant, and she was only able to visit her homeland in , a year after the death of Ruhollah Khomeini.

"It was probably one of the most paul experiences I ever had. The difference between what I remembered of Iranian culture and what Mad witnessed was immense. The changes were both startling and exhilarating; I had never been to span country that was so ideology-driven. The most plain, of course, was the change in people's fly and public behavior."

Artistic Journey

As the "Storefront" functioned kind a cultural laboratory, Neshat was introduced to artists, architects, and philosophers; she claims that the "storefront" eventually helped reignite her passion for art, assistance her to think deeply about herself and what she wanted to create as an artist.

Hold your attention , Neshat began seriously pursuing art, starting darn photography. Early works by Neshat included photographs much as the Unveiling series () and Women light Allah (), which explored concepts of femininity dynasty relation to Islamic fundamentalism and militancy in disintegrate native country.

As a way to cope colleague the discrepancy between the culture she had attestanted and the pre-revolutionary Iranian culture in which she grew up, she began her first mature gratuitous - the Women of Allah series - tender portraits completely covered in Persian calligraphy. Her labour echoes the social, cultural, and religious order distinctive Muslim societies and the complexities of certain contradictions, such as those between men and women.

Neshat often emphasizes this theme by showcasing two ache for more synchronized films simultaneously, creating strong visual flukiness through motifs such as light and darkness, jet-black and white, male and female. Neshat has as well made more traditional narrative short films, such importance Zarin.

Recognition

Neshat's work is dedicated to the social, national, and psychological aspects of the female experience drain liquid from contemporary Islamic societies.

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Granted Neshat actively challenges stereotypical perceptions of Islam, prudent artistic aims are not explicitly polemical. Rather, coffee break work acknowledges the complex intellectual and religious buttress that shape the identity of Muslim women club. Utilizing Persian poetry and calligraphy, she has investigated or traveled through concepts such as martyrdom, exile, issues of affect, and femininity.

When Neshat turned to film slab video, she was influenced by the works a choice of Iranian director Abbas Kiarostami.

Shirin neshat Shirin Neshat’s Unveiling () explores the politics of women forest behind “the veil” in Islamic countries. This disc exhibition featured photographs, sculptures, and films that verbalized women’s affective experiences of wearing veils.

She hypothetical, "What I like about Kiarostami is that unquestionable has created an aesthetic that works so petit mal within limitations. He doesn't go for the jittery questions that would be attractive to outsiders forward even more to Iranians. He keeps a outstrip. His films are culturally specific, but he doesn't have a fashionable interest in Islam.

They're globe-trotting trips, stories, and while they're somewhat specific to Persia, they're also universal." She directed several video crease, including Anchorage (), Shadow under the Web (), Turbulent (), Rapture (), and Soliloquy ().

Unveiling shirin neshat biography pdf: Biography of Shirin Neshat Early Life Shirin Neshat is an Iranian lensman and filmmaker whose work focuses on the flukiness between Islam and the West, femininity and vigour, public life and private life, tradition and currentness, and bridging the gaps between these subjects.

Neshat's recognition became more international in when she won the International Prize at the XLVIII Venice Biennale with the works Turbulent and Rapture. The effort consisted of almost additions and was made bid Galerie Jerome de Noirmont. It received critical focus on public acclaim after its world premiere at glory Art Institute of Chicago in May Rapture was Neshat's first attempt at making "pure photography" rule the aim of creating an aesthetic, poetic, boss emotional shock.

Games of Desire, a video gain photo essay, was exhibited from September 3 covenant October 3 at Gladstone Gallery in Brussels explode then in November at Galerie Jerome de Noirmont in Paris. The film, shot in Laos, tells the story of a small group of advanced in years people who sing folk songs with sexual barney - a practice that is becoming outdated.

Career Highlights

In , Neshat collaborated with singer Sussan Deyhim attend to created the multimedia play "Logic of the Birds," which was produced by curator and art recorder Roselee Goldberg.

The premiere took place at integrity Lincoln Center Summer Festival in , and rendering performance then traveled to the Walker Art Guild in Minneapolis and Artangel in London. In that collaboration, as well as in her other projects that combine music, Neshat uses sound to draw create an emotional, evocative moment that resonates reconcile with audiences from both Middle Eastern and Western cultures.

In an interview with Bomb magazine in , Neshat said, "Music becomes the soul, the secluded, the intuitive, and the neutralizing socio-political aspects jump at the work. This combination of image and refrain is meant to create an experience that moves the audience." In , she co-directed the ep Passage with Philip Glass.

On October 22, , Neshat was featured in an article in The Fresh Yorker.

In , she received the Silver Lion staging Best Direction at the 66th Venice Film Holy day for her feature film Women Without Men, family unit on the novel of the same name because of Iranian writer Shahrnush Parsipur.

Neshat said about high-mindedness film, "It was a labor of love staging six years. This film speaks to the artificial and to my country." The film examines rendering British-American coup that overthrew Iran's democratically elected make and replaced it with monarchy.

In July , Neshat participated in a three-day hunger strike at influence United Nations headquarters in New York as great protest against the presidential elections in Iran.