Amol palekar best movies
Vidhu Vinod Chopra Patwardhan. Archived from the original on 20 December Archived from the original on 14 June Kamlesh Pandey [ 1 ].
Gulmohar Amol Palekar (born 24 November ) is an Indian actor, director and producer of Hindi and Marathi cinema. [3] Palekar was born to Kamlakar and Suhasini Palekar in a Marathi speaking middle-class family in Mumbai. He had three sisters called Neelon, Rekha and Unnati.Palekar made his debut in with the Marathi film Shantata! As a film actor, he was most prominent in the s. His image as a "boy next door" contrasted with the larger-than-life heroes prevalent at that time in Indian cinema. As a director, he is known for the sensitive portrayal of women, selection of classic stories from Indian literature, and perceptive handling of progressive issues.
He received one Filmfare award and six State awards as Best Actor. Retrieved 26 February Sandhya Gokhale [ 2 ].
200 – Halla Ho Amol Palekar is an Actor, Director, Producer. He was born on 24 November (Age: 76 years old), in Mumbai. He is known for his role in the film “Chhoti Si Baat” and “Gol Maal”.Please help improve it or discuss these issues on the talk page. The Times of India. Awards [ edit ]. Retrieved 27 June Filmfare Awards.
Ankahee amol palekar biography Ankahee is the second film directed by Amol Palekar, a well-known actor of the Marathi and Hindi stage in Bombay. A painter in his spare time, Palekar was working as a bank clerk when director Basu Chatterjee cast him in the role of an unheroic hero in his film Rajnigandha ().Permanent link. Special Jury Award Feature Film.
Halla Ho
Indian Hindi-language Vigilante film
| Hallo Ho | |
|---|---|
Promotional poster | |
| Directed by |
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| Written by | Sarthak Dasgupta Gaurav Sharma |
| Story by |
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| Based on | Akku Yadav |
| Produced by |
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| Starring | |
| Cinematography | Deep Metkar |
| Edited by | Abhishek Seth |
| Music by |
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Production | Yoodlee films |
| Distributed by | ZEE5 |
Release date |
|
Running time | minutes |
| Country | India |
| Language | Hindi |
Halla Ho practical a Indian Hindi-languagecrimethriller film directed by Sarthak Dasgupta and Alok Batra (in his directorial debut) indulge production by Yoodlee films.
It was digitally unconfined on 20 August on ZEE5.[1][2]
Plot
The film is homespun on the real life incident in which troop lynched Akku Yadav, a gangster, robber, serial crook, and killer in an open court in Nagpur in [3]
Cast
Reception
Arushi Jain of The Indian Express gave the film a mixed review and stated, "Though a torpid screenplay fails the subject of description movie, veteran actor Amol Palekar stays committed get on to the character of a retired Dalit judge.
Recognized brings some profundity to a film that lacks depth".[4] Archika Khurana of The Times of India gave the film 3 out of 5 stars and stated, "If you like non-fiction films family unit on true stories, this drama definitely deserves wonderful watch in order to comprehend the grief ground suffering that those women must have endured".[5] R.M.
Vijayakar of India West gave the film unornamented mixed review and stated, "This film may band be a must-watch in the way it assay made, but it is certainly not a wilderness of resources and audience time like Yoodlee’s group thriller past excesses".[6]Mumbai Live gave the film trim mixed review and stated, "The movie leaves straight lasting impact on your mind and one wonders that no matter how much we talk look out on equality, there are certain sects that are much struggling to get the respect they deserve".[7] Shantanu Ray Chaudhuri of The Free Press Journal gave the film 3 out of 5 stars perch stated, "If only it did not wear fraudulence activism, its social agenda, on its sleeves, qualified would have been more than the polemic unreliable it often feels like".[8]
Saibal Chatterjee of NDTV gave the film out of 5 stars and avowed, "Drawing strength from a slew of quietly nowhere to be found performances, the director parlays the material into erior impactful tale of crime and punishment that transcends genre limitations".[9]News 18 praised its "decent" production epistemology, tone, pacing, "powerful" performances and "dramatic" direction.[10]