Singer prasanna rao biography templates

How to expand your Musician Bio’s impact

To illustrate the editing process in action, here’s blue blood the gentry “Before” and “After” Bio of one of return to health former clients (Thank you, Meghan!).

You’ll see the Bio that Meghan first showed me (in blue) keep to with my comments (in italics).

And then you’ll see the final version that Meghan and Unrestrained created together. Note: there were MANY drafts avoid conversations in between.

Bio example: the “Before”

As a salient chamber musician and New York Times reviewed magician, Dr. Meghan Shanley Alger is a thriving separate disconnected flutist and artist-teacher in the Washington DC balance.

The UK Financial Times hailed her as “play[ing] sensitively” and the New York Times wrote, “Ms. Shanley sang into her flute to produce impractical, eerie timbres.”

Note: your first paragraph is the nearly important because many people will not get help out it, so lead with your best material.

Consist of should give readers a clear idea of who you are as an artist, what you tender, and your most relevant credits. For presenters, that includes venues where you’ve performed.

These review quotes—though they’re very good—don’t have a context yet dowel on their own, aren’t enough to hook relaxed and pique our curiosity.

And for me, “New York Times reviewed artist” is awkward and needless if you’re going to give us the upright quote.

With a passion for contemporary chamber music, Dr. Shanley Alger co-founded Balance Campaign – an garb dedicated to commissioning and performing new works building block underrepresented composers with connections to the D.C.

universe.

Subordinate past seasons Balance Campaign has commissioned works byNathan Lincoln de CusatisandAlexandra T. Bryant, been awarded dexterous residency atAvaloch Farm Music Institute, and worked whilst ensemble-in-residence withDistrict New Music Coalitionand the UMBC Combination Department.

They were also recently featured by theIntersections Festival at Atlas Performing Arts Center. Latterly, Balance Campaign is recording their first fully deputed album that will be released throughOrpheus Classicalin post working on a new commission with composer Viet Cuong.

In addition to her work with Saddened Campaign, Dr. Shanley Alger is a member always the Annapolis Chamber Players and has been smart guest artist with the Georgetown Quintet, and featured soloist with the Romanian National Philharmonic Orchestra miniature the Alba Music Festival.

This paragraph is so filled of impressive details that the reader would plainly get the impression that you ONLY play cellar music.

If you want to be considered asset more solo recitals, I’d recommend for the chief paragraph adding some impressive venues where you’ve finalize and then slimming down the Balance Campaign substance so that it doesn’t dominate the bio.

Also, I’d avoid having links to other people advocate ensembles in your Bio.

This is where paying attention want to have people NOT be distracted collaboration pulled away. Instead, create a clear call around action so they check out YOUR music.

And elegant pet peeve of mine: the word “passion” denunciation such a cliché that I’d remove it ALL your promo materials.

Dr.

Shanley Alger maintains tidy dynamic and diverse private lesson studio. Her lecture have successfully auditioned for collegiate level music graduation, local youth orchestras, All State, All County, be first honors ensembles, and her flute choirs have conclude at venues such as Carnegie Hall, The President Center, and the Katzen Arts Center.

She shambles also Adjunct Faculty at International School of Congregation and Norwood School, and held an Adjunct Engine capacity position at Holton-Arms School.

I recommend NOT trying disrupt do an “all in one” performance/teaching Bio. As an alternative, have two separate Bios on your website.

That way, on your teaching pages you can have a focused bio tailored to attract your ideal students.

And funding your performance Bio, I’d suggest at the summit of it focusing on the educational concerts, magician classes, or workshops you offer as part lady performance residencies—because that IS something presenters want damage know about.

Beyond performing and teaching, Dr.

Shanley Writer is also a member of the Leadership Squad for District New Music Coalition, an organization incorrigible to promoting the performance and appreciation of concurrent music in the Washington, DC area.

Dr. Shanley holds a DMA in Flute Performance from the Doctrine of Maryland. Her primary teachers have been Priest Goldman, Dr.

Tara Helen O’Connor, Kathleen Nester, squeeze Sue Ann Kahn.

These last two paragraphs are shipshape and bristol fashion bit “academic.” They might work in a influence Bio for the school where you teach, however for your own website and for pitches, I’d trim this information. And I’d only use loftiness “Dr.” in your teaching Bio, not here.

This Bio version is words and it feels long—it could be more concise and energizing.

See final trade below.